Yann Bula

Yann Bula  new_releases

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ABM Rep @ Superside
Bogota D.C., Colombia
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Résumé

Jobs verified_user 20% verified
  • J
    Fractional Growth Lead public Remote experience
    Jelt
    Apr 2023 - Current (3 years 1 month)
    http://jelt.com.co
  • Superside
    Account Development Representative public Remote experience
    Superside
    Jan 2023 - Current (3 years 4 months)
  • Torre.ai
    Business Development Manager | Product specialist verified_user Verified experience public Remote experience
    Torre.ai
    Jun 2022 - Jan 2023 (8 months)
  • Torre.ai
    Business Development Representative public Remote experience
    Torre.ai
    Jan 2022 - Jun 2022 (6 months)
  • T
    Sales and Relationship Management | Co-founder
    Teea Group S.A.S
    Jan 2019 - Jul 2019 (7 months)
Education verified_user 20% verified
  • Product Marketing Alliance
    PMM Certified: Core
    Product Marketing Alliance
    Jan 2024 - Mar 2024 (3 months)
  • N
    Product Strategy public Remote experience
    Northwestern University, Kellogg School of Management
    Aug 2022 - Oct 2022 (3 months)
  • The University of Melbourne
    Innovation & Entrepreneurship
    The University of Melbourne
    Dec 2019 - Jan 2020 (2 months)
  • University of Los Andes
    Bachelor of Business Administration Business Administration verified_user Verified experience
    University of Los Andes
    Jul 2015 - Nov 2020 (5 years 5 months)
  • I
    International Baccalaureate Diploma
    Jan 2013 - Jan 2015 (2 years 1 month)
Awards verified_user 0% verified
  • Ministerio de Educación de Colombia
    Nation-wide top scores graduate state test
    Ministerio de Educación de Colombia
    Nov 2020 - Dec 2020 (2 months)
Publications verified_user 0% verified
  • “
    “Social Media 3.0” Platforms: New Paradigms of Gatekeeping and Curation in the Music Industry
    Aug 2020 - Dec 2020 (5 months)
    It is widely accepted that streaming platforms, mainly Spotify, have replaced the radio, tv and other media outlets as the gatekeepers of the music industry. Their editorial teams and algorithms widely affect the global listening agenda. However, there are a growing number of artists who had hit songs mainly due to their viral success on new Web 2.0 platforms (social media), such as TikTok. In this sense, there is a lack of empirical and theoretical account to understand the role these new platforms have on music curation. Based on an iterative process of sense-making and codification supported by a digital ethnographic method, this research analyses four remote interviews with key industry experts, public interview transcripts, grey litera